Poetry Issues #7

Friday, 04 November 2016 14:28

The seventh issue is out. If you can't get the printed version, you can still read it here:

 

Inside

 

It’s a beautiful day, outside

One of the last, if not the last

 

Before a heavy winter sets in

I like to think of windless autumn

 

Days as rare, and endangered

They make the wait more puzzling

 

What am I waiting for – perhaps a force

To make me – step outside

 

 

Family Values

 

Happiness was a bottle

of iridescent soap water

meant to burst in bubbles

on my mother’s marble floor.

She was annoyed and banished

from our common home

what she saw as stains.

She, who mercilessly counted

good times in fridge magnets.

 

 

In Flight

 

I looked suspicious.

My heart was in the hidden

pocket of my bag.

 

I forgot to put

my breathing mask on before

I turned to help you.

 

Falling, the dancing

lights on a welcoming sea

told me I belonged.

 

Pain was the red paint

on Claude Monet’s poppy field

in Musée d’Orsay.

 

 

Momentum

 

Our joys were made of plastic and fluorescent lights.

Raised by chip factories, we’d grown virtual feet.

Our time was running out like early morning coffee

and patience was the throbber on our loading screens.

 

Raised by chip factories, we'd grown virtual feet

and the first impact with sun-smelling turf felt strange.

Patience was the throbber on our loading screens

until we paced for hours in bleak waiting rooms.

 

The first impact with sun-smelling turf felt strange

but it shook off our belief in confined square spaces.

Until we paced for hours in bleak waiting rooms

our experiences had the depth of all-inclusive tourism.

 

What shook off our belief in confined square spaces

was the flawless animation of detaching yellow leaves.

Our experiences had the depth of all-inclusive tourism

and we just couldn’t get higher on computational speed.

 

The flawless animation of detaching yellow leaves

while time was running out like early morning coffee.

We just couldn’t get higher on computational speed.

Our joys were made of plastic and fluorescent lights.

 

 

Dinner for the Wolves

 

If I were a daube de boeuf

at an intellectual dinner table

would I find purpose and pride in

being eaten and praised and escorted

with pinot noir straight out of Burgundy

 

or would I try to crawl off the silver plate

daring to blotch the too white linen

and then straight off into some

drain leading to the gutter

where I would call out

my revolution?

 

 

[Read more about the project.]

 

 

Published in news

Poetry Issues #6

Monday, 03 October 2016 16:12

Ladies and gentlemen, Poetry Issues #6 is out:

 

 

 

The Screw

 

It was waiting for me, on the kitchen table

full of suggestion and gleam. It wanted

to be pressed hard on the wooden floor.

Its whole body begged to be twisted.

 

My moves were decisive. My expression

said it all, in a low grunt of womanly power.

Dominant in nature, I didn’t mind the sweat:

It validated my consistent, punctual effort.

 

I thought we were aligned – reciprocally

understood. But in a moment’s glimpse

it snapped, and rolled under the low couch.

Now, I have to find myself another screw.

 

 

The World Scaled Down

 

When I was fifteen, we lived on a lane

of big fir trees and low, curtained windows.

The lonely man on the corner once bought

a little cactus he placed on the mantel.

Passing by for school I waived at it, as

some children will befriend anything.

Within a few weeks I saw it wrinkle

and shrink in monumental misery.

I felt the impulse to knock on his door

but still feared the myths plaguing people.

“What kind of person let’s a cactus die

of drought?” I asked my mom distressed one day.

“The kind of person that also kicks his blind dog”

she said and turned to bake food casually.

 

 

Bread

 

In a way, it was a rite of passage

to qualified motherhood:

The fantasy of the steaming

fresh-baked bread and

the lemony glove next

to a matching apron.

And before that, the satisfaction

of the kneading hand

in slow motion, suspending

particles of flour pushed away

by the fluffy dough explosion.

 

 

Terza Rima for the Unhappily Married

 

You think that war is the ultimate carnage

that wakes in a man the blood-thirsty beast.

Wait ‘til you’ve seen the perfect marriage.

 

Wearing white in their coming-of-age feast

lies choose almond cake and harpsichord tunes

that you dance to, when your better half insists.

 

Cagey comfort turns you numb and immune

to the slow death of your once-flaming lust.

Soon you learn to mask silent rage with croons.

 

Absurdities bullet out of your mouth just as

last-minute, habitual lovers appear alluring

under the flattering light of a compulsive past.

 

To the downward spiral there is no ending

until you cry “revenge” and make for the landing.

 

 

The Hysteria of Fräulein von R.

 

He would press my head’s cross with his thumb

and instruct me to remember. He put on

such a show

with the pretext of conjuring up

forgotten memories. Once,

he turned me into a puppet

with his induced somnambulism

just to prove an argument.

 

He was so full of himself.

 

To get rid of him, I pretended

the paresthesia in my legs had left me.

He was contented, proclaimed me cured

and freed me of his presence.

 

But on some quiet nights the pain returns

out of the blue, as strong as ever.

 

 

 

 

[If you want to learn more about Poetry Issues, check the press release.]

 

 

Published in news

Poetry Issues

Sunday, 10 July 2016 00:00

 

If you're wondering what Poetry Issues is, I think it’s time you read the press release:

 

Why poetry?

Because it’s immediate.

Because the meaning is enhanced and deepened by the music.

Poetry doesn’t brag or hesitate, and I admire that in a character.

Because it’s art, and art helps me connect the dots and remember beauty.

 

Why a pamphlet?

Because we need something tangible, to make sure we exist.

Because different platforms affect the same work in different ways.

Because I trust in unexpected encounters.

 

Where?

Poetry Issues is distributed regularly in The Hague and not so regularly in Malmö and Lund. It has also been distributed in Liverpool, Berlin, Prague and Copenhagen. Copies can also be found in private collections (aka, in friends’ houses) in Athens.

 

Who else?

I would like to thank the people who contributed to and/or distributed the pamphlet. Credits go to Alexandra Mouratidou, Birgitte Brøndum, Sandra van Lente, Jenny Porter, SJ Moenandar and Alida van Leeuwen for their priceless support and involvement.

 

What’s the plan?

The first cycle was completed with the twelfth issue. These twelve issues form the first Poetry Issues collection and the project continued on a bimonthly instead of a monthly basis, until February 2019. After a pause, the 22nd issue is on the way and the project will continue on a quarterly basis.

 

So, where can one read Poetry Issues now?

 

Here you go:

 

Poetry Issues #1-12

 

 

Poetry Issues #13

 

Poetry Issues #14

 

Poetry Issues #15

 

Poetry Issues #16

 

Poetry Issues #17

 

Poetry Issues #18

 

Poetry Issues #19

 

Poetry Issues #20

 

Poetry Issues #21

 

 

If you would like to learn even more about the project, read the interview in Litdocs, and for more visual feedback check the images from the exhibition in BplusC.

 

Published in poetry

Poetry Issues #3

Saturday, 07 May 2016 17:00

 

May’s Poetry Issues is out, including “Platamon” by Alexandra Mouratidou.

 

Along with The Hague and Malmö, I am pleased to announce that a small number of copies of the current and previous issues are distributed to a selected audience for the first time in Berlin, thanks to the publishing professional and co-founder of Litdocs and the Literary Field Kaleidoscope, Dr. Sandra van Lente, and in Liverpool, thanks to the curator and visual artist Jenny Porter, some of whose work you can admire here.

 

And if you can’t get your hands on a copy, you can still enjoy the content of Poetry Issues #3 right here:

 

 

The end of our affairs

 

We’d like to fold them up in a neat

bedsheet-in-drawer manner

but they’re a roomful

of hopelessly knotted yarn.

 

So we set them on fire in the yard.

 

We resume our conversations

with ashes-on-mantel earnesty

then stuff them in shoe boxes

at the back of the garage.

 

So we get to keep the advantage.

 

In cardboard urns we align the has-beens

the would-be husbands we never miss

but then we judge it inefficient

as it all comes down to mass.

 

So we finally throw them in the trash.



Unfastened

 

I asked him to tell me once again

about the death of stars.

He went up and down the room

and I stayed focused on his arms

that broke into a dance against

the stubbornness of time,

tracing harmony and flow

back to when

each loose moment had the stamp

of the movement of the sun.




 

Platamon

by Alexandra Mouratidou

The evening leans

the sea shies behind a fan:

geranium red.

 



A Child’s Solace

 

A memory of

forever invincible

young parents laughing.

 



Mirror Image

 

It took me years of staring

at a flat map

 

before I saw

the night’s stereogram

 

as firefly lights descended their strings

one by one

 

and surfaced to the unlit soul

of the one staring.

 



Interrogation Triolet

 

The empty pages forced me to confess

to all the murders that I didn’t do.

The pen is now resting on my chest.

The empty pages forced me to confess

insisting that we made some progress

before the late-night shift was due.

The empty pages forced me to confess

to all the murders that I didn’t do.




Published in news

Poetry Issues #2

Friday, 08 April 2016 13:51

The second issue is out, featuring the Greek poet Alexandra Mouratidou, who lives and creates in Malmö, Sweden. Again, if you can't get your hands on a printed copy of the pamphlet, either in The Hague or in Malmö, you can still enjoy its content here:

 

 

Panorama

 

Oh, I get the Flemish masters, now. Why

it’s always three quarters rampant sky or

a biblical sea crashing ships filled to

the gills with apples from China. I get

the art-nouveau postures of disfigured

trees reaching towards the promise of a

future sold through foolproof far-fetched words like

bioscoop and magnetron, and regal

swans chasing seagulls in rainy cobbled

streets – a mental note of life’s absurdity –

the rulers of the waterways losing

feathers like pillows dusted with long rods

letting off shrills carried through loud, defunct

chimneys. This is the place I’ll learn to miss.

 

 



Intentions

                by Alexandra Mouratidou

 

I’m scared of secrecy, silence, and sighs

the muted thoughts, the faceless sounds

and what does the unuttered hide.

Do words die out with time like past’s incense?

Soon, “I love you” will become a shroud you wear,

forgetting when or how­.

Dad died. But since the years have passed

it’s like the phrase has died.

Words die.

Just like a fallen star, an embryo, that hope,

the tears that have gone dry, the years behind –

Words wear banalities mostly when they’re cold.

Sometimes, they’re bored and tend to lie.

Words fly. At times, they choose to abandon all

their fateful sense.

The rebellious ones diverge:

They fall from poetry’s cliff revived.




Adolescence in Small Town

 

They were coming back from the church:

None of them believed in much of anything

but it was Good Friday. From around the corner

there ringed the laugh of the easy girls,

a silver bell calling paupers to charity supper.

Eager, the boys turned their untempered backs

on the spring wind, to light hand-rolled cigarettes

bought for a copper and a half each

by some older brother. They were fixing

their baby rockabilly quiffs,

ready to make an entrance and if there needed be

a scene, when a father’s bobbing belly came panting

and chased them down the road

thrusting insults mixed with warm spit.

The poor bastards ran like demons on that holy night.



 

Morbid Sensitivity

 

The crippling effect

of human interaction:

I take it all in.

 

I’m like sunglasses

with no filter to reflect

those carcinogens.

 

No good can ever

come from a self-image clung

on passer-by frowns.




Dear Contemporary Art Gallery

 

You are unequivocally clinical,

with blinding whites and cold spotlights,

and your wine is lukewarm and papery dry.

Your Django Reinhardt live nights

are of conservatorial principle

and your well-ironed guests will kindly abide

by smoking only outside. But art is a log cabin

in the thick dark woods, not a sterile science lab

for measuring and tagging pure consumer goods

– and it’s known for being moody and quite cynical.

Published in news

Poetry Issues #1

Monday, 07 March 2016 20:07

So, Poetry Issues is out into the world! Nothing competes with paper but at least, if you can’t get your hands on a printed copy, you can still read the content of the first issue:




Job Search in Athens

 

Dreams die choked by job listings

soaked in strong communication and

numerical skills, overwhelmed by

excellent multitasking, tangled in

risk management drills.

Notably unadaptable

and lacking in combed manners

dreams cannot develop

concise and comprehensible content.

Completely uninformed on proper

social and business etiquette

and not client-oriented at all, dreams

die with near-native English

for a competitive thousand

to thirteen hundred monthly gross.



Black Cat, White Dog

 

Improbable friendships flourish

on freshly mowed backyard lawns.

Stencil flower fabrics host nightly

cuteness contests for a place

close to the lady’s painted toes.

 

We chase butterflies together

lick each other’s furs under the sun

in a mutually profitable agreement

valid for as long as you

keep your paws off my food.



Love

 

They say we are Millennials.

That’s how they flatter

us, the Big Pharma Generation

of Seroquel and Ambien

Ritalin and Risperdal.

 

Where there’s a need there’s

a way, and now you can even

tame that crude, primeval kick:

Try Adderall – They say it does

miracles for lack of concentration.

 

 

 

Refugee Haiku

 

Now trending: The trade

of man-made pain washed upon

a picture-blue shore.

 

 

 

Repressed Tanka

 

Drunken you order

a Sex on the Beach and text

your ex to let her

know your blind date is coming

oh yes, she’s cum-cum-cumming.

 

 

 

Landscape

 

when the sun

sets

 

a soft breeze

gives

 

the face of the earth

goosebumps



Published in news
nosubhealth online pharmacybuy xanax online no prescriptionbuy phentermine online ukampills.com