• The subject of joblessness is a complicated one: It affects self-esteem, relationships, sociability, employability itself, the outlook on life, and mental and physical health in general. At the same time, it's worth asking whether work and the process of finding it, as it is understood and practiced by the majority, enhances or limits the sense of freedom. The speaker questions the very framework that is supposed to provide her with food and help her stabilize and pursue connection, as she recognizes an ultimate form of existence in the qualities of nature, and specifically in birds. 
  • Although video is just one of the media I am using, it is one that conveniently covers most of my artistic needs. The last couple of years I have experimented with the idea of the video poem and it was time to gather them all in one page, especially as I notice how I mature in this art form and how it is helping me to find my true voice. On the top you'll find the most recent shorts. the interview (2026) Shortcuts (2026) Groningen: A map (2024) Infrastructure (2024) Ways in and Ways Out (2024) Desperation (2024) Care (2024) Metaphors (2024) Need (2023) Stubborn (2023) Reflection (2023) Broken Hands (2023) To catch a dream (2023) A fight (2022)
  • This piece is trying to capture the feeling of returning to a place you have left. The way memories resurface and mingle with the often changed reality. The feeling of liminality, as if your body itself half-belongs in a dream, while you try to grasp the facts of your surroundings. This piece is about Athens and my struggle to embrace change while holding on to the warmth of the past. 
    "shortcuts" will be screening at the Indie Gathering International Film Festival, 7-9 August 2026, Columbus, Ohio, USA
  • The Blue Scrolls are illustrated chapters that first appeared in the form of posters and short stories. They come to life through a generative process, where I start to develop a print or a painting and a story comes to mind. The goal is to connect these visual and written narratives into a coherent whole, without compromising their individual value. Once the series is completed (8 seems to be a good number, but I can't promise anything) the stories, their illustrations and a log of the process will be published in a book (and an audio book, as I love reading and making background music). The Final ClashThe battle of the Mighty Giraffe and the Witch of Bubbles took place in the In-Between Universe, at the extreme upper left corner of the Trentulon Galaxy and didn't come as a shock to the denizens of all the twelve kingdoms of the eight known dimensions. It didn't shock them, as they had been expecting it for some time, but it did shake their planets, that were hit by unprecedented earthquakes that lasted a millennium. [read more]A Bird's Hunger At the edge of the marsh, a girl with a long crinoline dress was marching among the thinning reeds, jumping over the little streams that rushed along toward the sea. A dragonfly the color of old copper and river-glass followed the girl, and despite its frantic winging it struggled to keep up. Still it found time to tilt its head, as if the world were a riddle worth solving. The girl, both fierce and awkward, marching like bobbing fire through the uneven marshlands, was thought by some to be a princess, coming as she did from a household of tapestries and velvet curtains, while others called her a witch, because she had been seen talking to the moon and nodding to the wind. [read more] Part(y)ings and Meetings On Ibikonos, nothing ever ended. The days didn't last long and the nights felt like an eternal fluctuation between sunset and dawn. The beats were hard and gravity optional after midnight. The Mighty Giraffe belonged there. He wore mirror sunglasses and Hawaiian shirts tailored by beings with six arms and no sense of restraint. And that was how he danced across the span of three dance floors, knocking over a moon here and there, while he casually sipped drinks that fizzed, drinks that glowed, and drinks that changed form. [read more] The Mission When the Consulate of Intergalactic Space issued a Code Red for planet Vivellia's purple veil – the heavy mist that covered Liminal Basin V3 and protected the privacy of dreams – the High Head Dragon, who besides being the most sought-after fog artisan the galaxies had ever seen was also a highly skilled diplomat responsible for maintaining the Atmospheric Vibes of the entire Stage Left of the Trentulon Galaxy, decided with characteristic efficiency and minimal paperwork to assign the matter to his old acquaintance the Mighty Giraffe [...] [read more]
  • "The Mission" is the fourth and exponentially more colorful Blue Scroll (yes, this is the name of the bundle, and it has a dedicated page). While posters will remain available, the bundle will also be published by philomuse as a book, as it is easier to carry and read than eight A3 posters. As with most of these scrolls, the story emerged from the painting, in a very creative, generative process involving mostly imagination and narrative-building skills. The Mission When the Consulate of Intergalactic Space issued a Code Red for planet Vivellia's purple veil – the heavy mist that covered Liminal Basin V3 and protected the privacy of dreams – the High Head Dragon, who besides being the most sought-after fog artisan the galaxies had ever seen was also a highly skilled diplomat responsible for maintaining the Atmospheric Vibes of the entire Stage Left of the Trentulon Galaxy, decided with characteristic efficiency and minimal paperwork to assign the matter to his old acquaintance the Mighty Giraffe, a known and remarkably competent inter-dresser, and to his unknown friend with the long dress, who was rumored to be the fabled Guardian of Memories that was just learning her powers. If that was the case, the girl with the bubbles would be the only creature capable of negotiating the midspace between water and air, where the thinning of the veil appeared — an hyperbolnomaly that was responsible for dreams irreversibly leaking into each other, effectively violating creative sleep rights, and had caused Code Red in the first place. Telling the proud residents of Vivellia that extravivellian beings would take over Liminal Basin V3, the enormous lake that attributed naturally to memories their mood shaping colors, was a delicate issue. The High Head Dragon would have normally addressed the matter himself, but Vivellia was his homeland and since the three basic color clans of the planet were somehow mixed in countless hues and tones, it was impossible not to be related with every official and stakeholder, which would raise concerns about the objectivity of his judgement among the more conservative members of the Consulate, who were anyway not pleased with his doubling as fog artisan. Besides, the High Head Dragon would give anything to avoid meeting any of his relatives whose monochrome beliefs embarrased him. There are two simple rules in order to succeed socially, but also diplomatically, in Vivellia: (a) Be colorful and (b) be flamboyant. The Mighty Giraffe was of course flamboyant enough by himself, but simply dressing up, even with the neon and glitter of his Ibikonos days, would not be enough to inspire both admiration and respect to the vivid Vivellians. Inter-dressing as a huge cross-galactic rooster, this vibrant archetypal bird, on the other hand, was not only considered appropriate for the occassion but it was the suggested diplomatic approach for this planet, according to the Ultra-Galactic Manual of All Possible Affairs, the acclaimed UGMAPA. The mission included besides the two diplomats, five shades-of-purple experts, four dream-water chemists and…